{"id":134,"date":"2021-02-12T17:09:22","date_gmt":"2021-02-12T16:09:22","guid":{"rendered":"http:\/\/blog.jazzgeschichte.de\/?p=134"},"modified":"2021-02-12T17:09:22","modified_gmt":"2021-02-12T16:09:22","slug":"rabih-abou-khalil","status":"publish","type":"post","link":"http:\/\/blog.jazzgeschichte.de\/?p=134","title":{"rendered":"Rabih Abou-Khalil"},"content":{"rendered":"<p><span style=\"font-family: arial, helvetica, sans-serif;\"><strong>Rabih <\/strong><span style=\"background-color: var(--global--color-background); color: var(--global--color-primary); font-size: var(--global--font-size-base);\"><strong>Abou-Khalil<\/strong>, <\/span><span style=\"background-color: var(--global--color-background); color: var(--global--color-primary); font-size: var(--global--font-size-base);\">* 17.8.1957 Machgara\u00a0<\/span>(Libanon), oud<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">Wie kaum ein anderer Musiker machte sich Rabih Abou-Khalil um die genuine Verbindung <\/span><span style=\"font-family: arial, helvetica, sans-serif;\">arabischer Traditionen mit mannigfaltigen ldiomen des Jazz und der europ\u00e4ischen Kammermusik verdient. lm kosmopolitischen Ambiente Beiruts aufwachsend, machte er sich<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">schon als Kind mit dem Oud vertraut. 1928 ging er wegen des B\u00fcrgerkriegs vom Libanon <\/span><span style=\"font-family: arial, helvetica, sans-serif;\">nach M\u00fcnchen, besch\u00e4ftigte sich intensiv mit klassischer Musik, studierte Querfl\u00f6te, blieb <\/span><span style=\"font-family: arial, helvetica, sans-serif;\">aber beim Oud als Hauptinstrument, auf dem er Klang- und lntonationsprinzipien der Jazzgitarre adaptierte. Mit jeder seiner aufwendig gestalteten, stets unterschiedlich mit der internationalen Jazz-Elite besetzten CDs verfolgte Abou-Khalil ein eigenst\u00e4ndiges Klangkonzept. <\/span><span style=\"font-family: arial, helvetica, sans-serif;\">Auf &#8222;Arabian Waltz&#8220; (1996) gelang es ihm, mit dem Balanescu Quartet ein klassisch geschultes <\/span><span style=\"font-family: arial, helvetica, sans-serif;\">Streichquartett organisch in einen arabischen Kontext einzuf\u00fchren.<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif;\">(wk &#8211; Reclams Jazzlexikon 2003)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Rabih Abou-Khalil, * 17.8.1957 Machgara\u00a0(Libanon), oud Wie kaum ein anderer Musiker machte sich Rabih Abou-Khalil um die genuine Verbindung arabischer Traditionen mit mannigfaltigen ldiomen des Jazz und der europ\u00e4ischen Kammermusik verdient. lm kosmopolitischen Ambiente Beiruts aufwachsend, machte er sich schon als Kind mit dem Oud vertraut. 1928 ging er wegen des B\u00fcrgerkriegs vom Libanon nach&hellip; <a class=\"more-link\" href=\"http:\/\/blog.jazzgeschichte.de\/?p=134\"><span class=\"screen-reader-text\">Rabih Abou-Khalil<\/span> weiterlesen<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,20,6],"tags":[],"class_list":["post-134","post","type-post","status-publish","format-standard","hentry","category-world","category-asia","category-musiker","entry"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.9 - aioseo.com -->\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Reinhardt\"\/>\n\t<link rel=\"canonical\" href=\"http:\/\/blog.jazzgeschichte.de\/?p=134\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 4.9.9\" \/>\n\t\t<meta property=\"og:locale\" content=\"de_DE\" 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